Where Do You Go To (My Diddy)

Records and Mask

The much anticipated next installment of the Diddy Wah podcast floats into the blogosphere like a bird in the hand gathering no moss. I love mixed metaphors and I love 60s instrumental surf music. Thankfully this podcast features more of the latter than the former. And you can take that to the bank and smoke it.

mp3: Where Do You Go To (My Diddy)

Screamin' Jay Hawkins - I'm Lonely
Jet Harris - Besame Mucho
Ronnie Love - Chills And Fever
The Chiefs - Apache!
The Marketts - Out Of Limits
Vito & The Salutations - Unchained Melody
The Rondels - Back Beat No.1
Johnny And The Hurricanes - Crossfire
The Beatles - I'm Down
Richard Maltby - Theme From The Man With The Golden Arm
Kid Ory's Creole Jazz Band - St. James Infirmary
Danny Kaye and Louis Armstrong - The Five Pennies Saints
Sarah Vaughan - Bye Bye
Peter Sarstedt - Where Do You Go To (My Lovely)

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Guest Post - The Other Jimmy Smith

A few years ago Melbourne DJ Mohair Slim treated the Diddy Wah massive to a few rare Prince Buster sides and shared his musical incites. It's my absolute pleasure to welcome him back to enlighten us further with some recent discoveries he's made. Please make him feel warmly welcome.

78rpm record player Savoy 78rpm record

mp3: Kansas City Jimmy - Mama
mp3: Kansas City Jimmy - Saturday Night
mp3: Kansas City Jimmy - Cheatin Woman


Having recently discovered a treasure trove of jump blues 78s, I now realise that my perception of the early days of rhythm and blues, learned via LP and CD compilations (and the writings of people who have acquired their knowledge by the same means) might be somewhat warped. I looked through 200 or so records and bought 37. There were Amos Milburns, Floyd Dixons, Rosco Gordons (Joy!), Johnny Otissssss and other feted names, but, they were far outweighed by releases by unknowns like The Beale Street Gang, Jesse Allen, Rose Mitchell and the Rolling Crew.

When I said I wanted some stompers for a club night, my trove guide said “I think you should hear this guy. He’s not the organ Jimmy Smith, he’s another one. He also used the name ‘Kansas City Jimmy’. No one really knows who he is. They don’t even know who was in the band, but, they’re very good.” He then handed me two records with the famous burgundy Savoy label featuring “Kansas City Jimmy” and “Jimmy Smith” respectively.

They aren’t credited on the record itself, but the Savoy session notes reveal that Jimmy’s backing band were named “The Sepians” - at least for the purposes on their March 1949 Los Angeles session. A “Jimmy Smith & His Sepians” recorded one jazz 78 (“Big Chump Blues”) for Decca eight years earlier. The Decca session notes show the participants to be:

Kenneth Roane (t)
Jimmy Smith (ts)
Sammy Price (p)
Ham Jackson (g)
William “Smitty” Smith (db)
Unknown (d)
Nora Lee King (v)

The theory that Jimmy Smith is the band-leader and tenor saxophonist is an appealing one when you listen to the arrangements (listen to “Mama”) and how the tenor hogs the solos on all sides. It was not uncommon for jump band leaders to take full credit ahead of their featured vocalists, indeed that’s exactly what Smith did on his Decca release (singer was actually femme guitarist Nora Lee King). But, if that’s right, who is the handy uncredited shouter? It certainly isn’t Jimmy Witherspoon as one website proffered. The Savoy session notes provide the answer, they show “Jimmy Smith “(vo)”. I think the full explanation is that the Jimmy Smith that recorded with Savoy is the same one that laid down the Decca sides and in the intervening years, Jimmy taught decided to have a bash at singing himself (a la other vocalising horn-players of the era Louis Jordan, Cleanhead Vinson, Bullmoose Jackson etc.). This would explain why you don’t hear any crossover between the vocals and the lead tenor on any of the songs and why the saxophone stops abruptly and the singer seems to rush the start of “Saturday Night”.

But from where does the band hail? New York? (where the Decca session took place), Los Angeles?, KC? or somewhere else? Oh well, dig the proto-rock’n’roll big beat of Jimmy and the boys. Me, I’m going back to the man and ask if he has that Acorn disc.

Jimmy Smith aka Kansas City Jimmy discography

Jimmy Smith & His Sepians, “Big Chump Blues” / “I Ain't Got Nobody To Love” (Decca) 1941
Kansas City Jimmy – “Cheatin' Women” / “Saturday Night” (Savoy 691) 1949
Jimmy Smith – “Mama” / “Talking Boogie” (Savoy 709) 1949
Kansas City Jimmy – “Jimmie's Idea” / “Rock That Boogie” (Acorn 301) 1949

Jimmy Smith And His Sepians
Jimmy Smith (vo)
Los Angeles, CA, March 26, 1949
SLA520-3 : Fat Mama : Savoy 709
SLA521 : Baby Dear : Unissued
SLA522 : Jam Session : -
SLA523 : Talking Boogie : Savoy 709

Kansas City Jimmy
Kansas City Jimmy (vo) and others
Los Angeles, CA, March 8, 1949
SLA516-3 : Cheatin' Women : Savoy 691
SLA517 : Jimmie's Idea : Acorn 301
SLA518: Jump For Joy : Savoy unissued
SLA519-4 : Saturday Night : Savoy 691

Kansas City Jimmy
Kansas City Jimmy (vo) and others
Los Angeles, CA, August 22, 1949
SLA4426 : I Love You Baby : Savoy unissued
SLA4427 : Wine Headed Women : -
SLA4428 : Central Avenue Mood : -
SLA4429 : Rock That Boogie : Acorn 301

Blue Juice radio show on PBS FM

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Diddify

Spotify

Unfortunately, this post will mean little to large sections of the Diddy Wah visitorship. However, for those of you in the UK and certain parts of Europe, if you haven't already started using Spotify, you should. Spotify lets you to stream a lot of music for nada. The main catch being that you are forced to listen through annoying advertisements. Even so, it's reassuring to know that for around the cost of a CD a month, you can get out of this chore if/when it really becomes too tiresome. Another downside is that you're not able to take the music with you for a walk down the street. But all in all, the service Spotify offers still falls somewhere between pretty damn good and a complete revelation. Essentially, what it seems to be is a new business model for the music industry. One that takes it as a given that, in the Internet age, punters demand to be able to listen to whatever they want, instantly (and preferably for free). I've been listening to loads and in typical Diddy Wah fashion have put together some playlists.

Spotify Playlist: Fools Gold
Spotify Playlist: Keeper of Shill
Spotify Playlist: Oh Death
Spotify Playlist: Never Tell

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A Cat Called Diddy Wah

Diddy Wah Haggerston poster

More sleazy podcast shaped sounds emanating from the Diddy Wah direction. But I forgot to mention that Jennie Lee, as sung by Jan and Arnie (and Dean), is apparently named after Jennie 'The Bazoom Girl' Lee, a well know, well endowed Hollywood burlesque performer. Also, at just shy of 32 minutes, this one's slightly shorter than usual, sorry about that.

mp3: A Cat Called Diddy Wah

Ronnie Cook & The Gaylads - Goo Goo Muck
The Versatones - Bila
Irv Goodman - Havah Nagilah
Jan & Arnie - Jennie Lee
Elvis Presley - Treat Me Nice
Roy Orbison - A Cat Called Domino
The Johnny Burnette Trio - The Train Kept A-Rollin'
Wanda Jackson - Let's Have A Party
The Night Raiders - Cottonpickin'
Paul Chaplain And His Emeralds - Shortnin' Bread
The Gee Cees - Buzz Saw Twist
Chubby Checker - The Fly
The Chimes - Zindy Lou

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This Is It

Fever Ray Juana Molina MarnieStern

Fever Ray - If I Had a Heart
Fever Ray - Concrete Walls
Juana Molina - Un Dia
Juana Molina - Los Hongos De Marosa
Marnie Stern - The Crippled Jazzer
Marnie Stern - The Package Is Wrapped

*mp3s removed by request

As summer approaches London there's always a plethora of great gigs on offer. This post features tunes which could be played at three shows happening in the next couple of months. Three that I'm super amped about.

Fever Ray is Karin Dreijer Andersson, one half of Sweden's The Knife. She's just put out a cool eponymous debut album which has been described as claustrophobic. And she's done some cracking clips too (see links below).

Juana Molina latest release is called Un Dia, which is Spanish for One Day - she's Argentinian. It's her fifth album and you might find it hypnotically rhythmic.

Marnie Stern is a guitar-shredder/singer/songwriter who lives in NYC. She has also released an album kind of recently (October 2008). It's very energetic and has a really long title - This Is It And I Am It And You Are It And So Is That And He Is It And She Is It And It Is It And That Is That.

And that is that.

Fever Ray - YouTube
Fever Ray - YouTube

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Let Ray

Ray Charles

mp3: Ray Charles - I Don't Need No Doctor
mp3: Ray Charles - Sticks and Stones
mp3: Ray Charles - I'm Movin' On
mp3: Ray Charles - Night Time Is the Right Time
mp3: Ray Charles - I Chose to Sing the Blues
mp3: Ray Charles & Jimmy Lewis - If It Wasn't for Bad Luck


I've been listening to a lot of Brother Ray recently and here are some of the more upbeat (tempo wise) cuts that have been floating my boat. From the Northern favourite 'I Don't Need No Doctor' to the perfect-double-act funky blues of "If It Wasn't for Bad Luck', these are the cream of the cream.

Hit the road Jack - YouTube

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Strange Happenings

Dr Albert Hoffman

mp3: The Revels - Intoxica
mp3: Rex Garvin - Strange Happenings
mp3: Vampires' Sound Incorporation - The Lions and the Cucumber
mp3: The Gamblers - LSD-25
mp3: The Fender Four - Margaya
mp3: The Rhythm Rockers - Madness


Some instrumental weird-but-goodness for you all today. Starting with the pioneering surf party band, The Revels, with a song that possibly inspired the name of a great record store in West London. Then onto the mysterious Rex Garvin and the Mighty Cravers from 1971 on the Chieftain label, complete with horror sound effects. This segues nicely into the soundtrack to one of the top films of the lesbian vampire genre. The Gamblers then strum tribute to Albert Hoffman's problem child and were apparently the first group to do so -- thereby starting a whole genre known as psychedelic rock. Reality is ambiguous sometimes. The Fender Four give us their Dick Dale and Buddha inspired 'Margaya' and finally The Rhythm Rockers lose it with 'Madness'.

Vampyros Lesbos trailer

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